The title of exhibition, Nodes, carries numerous meanings. It can refer to a place where something begins, for instance, the place where a leaf is attached to a stem or a branch to a tree trunk. Naukkarinen’s paintings study the various nodes that connect us to the environment. The artist has stated that we have reached a turning point that calls for an urgent redefinition of humanity’s relationship with the rest of nature. Naukkarinen finds it important that we reflect on how our feelings of separateness from the world around us are formed on a subjective level. What kinds of mechanisms create a sense of separation or unity between ourselves and the environment we inhabit? 

Naukkarinen’s plant-themed paintings have the wispy quality of watercolors, but they are painted in oils. They possess a quiet restfulness, as a soft sigh breathed upon the canvas, the ethereal treatment of form being accompanied by a luminous palette of pastels.  Focusing purely on the essentials, Naukkarinen strips away all extraneous elements – sometimes, a soft touch has greater power, and sensitivity calls for great courage. Although her latest paintings are plant-themed, the artist has said that the underlying idea relates to more than just the botanical world. Nodes define the place or spot where lines and systems intersect. Naukkarinen regards painting as an act of intimacy and presence, a form of reaching out beyond oneself. Painting is a way of expressing one’s interconnectedness with the world. 

Work supported by Alfred Kordelin Foundation and The Paulo Foundation.